(After walking past the Gate of Supreme Harmony)
Ladies and Gentlemen, the great hall we are approaching is the Hall of Supreme Harmony, the biggest and tallest of its king in the Forbidden City. This structure covers a total building space of 2,377 square meters, and is know for its upturned, multiple counterpart eaves . The Hall of Supreme Harmony sits on a triple “H”-shaped marble terrace the is 8meters high and linked by staircases. The staircase on the ground floor has 21 steps while the middle and upper stairways each have 9.
The construction of the Hall of Supreme Harmony began in 1406. It burned down three times and was severely damaged once during a mutiny. The existing architecture was built during the Qing Dynasty. On the corners of the eaves a line of animal-nails were usually fastened to the tiles. These animal-nails were later replace with mythical animals to ward off evil spirits. There are altogether 9 such fasteners on top of this hall. The number nine was regarded by the ancients to be the largest numeral accessible to man and to which only the emperors were entitled.
There was a total of 24 successive emperors during the Ming and Qing dynasties who were enthroned here. The ball was also used for ceremonies which marked other great occasions: the Winter Solstice, The Chinese Lunar New Year, the Emperor` s birthday, conferral of the title of empress, the announcement of new laws and policies, and dispatches of generals to war .On such occasions, the Emperor would hold audience for his court officials and receive their tributes.
This area is called the Hall of Supreme Harmony Square, which covers a total of 30,000 square meters, Without a single tree or plant growing here, this place inspires visitors to feel its solemnity and grandeur. In the middle of the square there is a carriageway that was reserved for the Emperor. On both sides of the road the groud bricks were laid in a special way seven layers lengthwise and eight layers crosswise, making up fifteen layers in all. The purpose of this was to prevent anyone from tunneling his way into the palace. In the count yard there are iron vats for storing water to fight fires. In the whole complex there are altogher 308 water vats. In wintertime, charcoal was burned underneath the vats to keep the water from freezing .Why so vast a square? It was designed to impress people with the hall` s grandeur and vastness. Imagine the following scene. Under the clear blue sky, the yellow glazed tiles shimmered as the cloud-like layers of terrace, coupled with the curling veil of burning incense, transformed the hall of supreme Harmony into a fairyland. Whenever major ceremonies were held, the glazed, crane-shaped candleholders inside the hall would be it, and incense and pine branches burnt in front of the hall. When the Emperor appeared, drums were beaten and musical instrument played. Civilian officials and generals would kneel know in submission.
The last Qing emperor Puyi assumed the throne in 1908, at the age of three, His father carried him to the throne. At the start of the coronation, the sudden drum-beating and loud music caught the young emperor unprepared .He was so scared that he kept crying and shouting,”I don’t want to stay here. I want to go home.” His father tried to soothe him, saying, ”It` all soon be finished .It` all soon be finished ”The ministers present at the event considered this incident inauspicious. Coincidentally, the Qing dynasty collapsed three years later and there with concluded China `s feudal system that had lasted for more than 2,000 years.
(On the stone terrace of the Hall of Supreme Harmony)
This is a bronze incense burner. In it incense made of sandalwood would be burnt on important occasions. There are altogether 18 incense burners, representing all of the provinces under the rule of the Sing monarchs. On either side of the Hall, 4 bronze water-filled vats were placed in case of fire. Next to the terrace on either side, there is a bronze crane and tortoise, symbols of longevity. This copper-cast grain measure is called ”jialiang.” It served as the national standard during the Qing dynasty. It was meant to show that the imperial ruler were just and open to rectification. On the other side there is a stone sundial, an ancient timepiece. The jialiang and the sundial were probably meant to show what the Emperor represented: that he was the only person who should possess the standards of both measure and time.