what’s more, this film didn’t end when jane left thornfield. for jane eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for rochester, how he can get salvation? the film gives the answer tentatively: jane eventually got back to rochester. in fact, when jane met rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant rochester would get retrieval because of jane. we can consider rochester’s experiences as that of religion meaning. the fire by his frantic wife was the punishment for the cynicism early in his life. after it, rochester got the mercy of the god and the love of the woman whom he loved. here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. the value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.
life is ceaselessly changing, but our living principles remain. firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the
beacon over the capriccioso sea of life. in the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
in this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance. we are likely to find ourselves bogged down in the sargasso sea of information overload and living unconsciousness. it’s our spirit that makes the life meaningful.
heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life. indubitably, “jane eyer” is one of them.