【導讀：作品簡介】《誰動了我的乳酪?》(who moved my cheese?)，生動的闡述了“變是唯一的不變”這一生活真諦，作者斯賓塞·詹森博士是美國知名的思想先鋒和暢銷書作家，此外，他還是一位醫生、心理問題專家，也是將深刻問題簡單化的高手。在他清晰洞徹當代大眾心理後，便在該書中製造了一面社會普遍需要的鏡子———怎樣處理和面對資訊時代的變化和危機。
《誰動了我的乳酪》英語讀後感400字
今天我讀完了美國著名作家斯賓塞.詹森寫的《誰動了我的乳酪》一書，真是受益匪淺! 《誰動了我的乳酪》講的是兩個小矮人和兩隻小老鼠的故事。文章主要圍繞“乳酪”的獲得、擁有、失去，不同的人產生的不同心態，由此產生迥異的行動策略。是像嗅嗅和匆匆，迅速開始行動?還是像哼哼那樣害怕變化，否認和拒絕變化?還是像唧唧那樣看到變化會使事情變得更好，並能夠及時地調整自己去適應變化?其實，對於任何一個人來說，生活和學習中有太多的變化，變化無時無處不在發生，無論我們是否害怕變革的到來。如果我們能夠儘快調整自己適應變化，我們完全可以做得更好。當我們面對變化時，我們會害怕，會感到無所適從，這很正常。只要我們能夠認真科學的對待畏懼，它甚至可以幫助我們避開真正的危險。我們無須拒絕變化，我們完全可以改變對變化的態度，在變化中享受變化，擁抱變化，迎接變化。 從另一方面來說，“乳酪”是一種通過艱辛努力而獲得的優越狀態。“乳酪”是一種機遇，也是一種擁有的核心能力。我們該如何把握和擁有呢?作為一種換位思考，我們對於常常嚮往著孟郊的“春風得意馬蹄急，一日看盡長安花” 的輕狂和喜悅，卻難以體會“小樓昨夜又東風”的李煜傷感情懷。作為這種對比，我們就需要把握今天，把握機會，學會細心保護和精心呵護，不要等手中的“乳酪”變酸、變壞，在無可奈何之中又驚羨別人的擁有。
"who moved my cheese"du hougan
today i read a famous american writer herbert spencer. johnson's book "who moved my cheese", which really benefit from! "who moved my cheese" talk that the two dwarfs, and the story of two mice. this paper mainly around the "cheese" acquisition, possession, lost, different people of different mentality, the resulting very different action strategies. like smelling and rush quickly into action? or like the hum so afraid of change, denial and refusal to change? or like the chirp would like to see changes in things getting better, and be able to promptly adjust themselves to adapt to change? in fact, for any one people, living and learning there are too many changes, change is everywhere in the event of no time, whether we afraid of change to come. if we are able to adjust itself to adapt to change, we can do better. when we are faced with change, we fear, will feel at a loss, which is normal. as long as we can seriously deal with fear of science, it can even help us to avoid the real danger. we do not refuse to change, we can change the attitude of change, in changing the enjoyment of change, embrace change, embrace change. on the other hand, the "cheese" is an acquired through the hard work of superior status. "cheese" is an opportunity and a have core competencies. how do we grasp and possession of it? as a kind of empathy, we often aspire to the meng jiao's "too proud horseshoe anxious every day to see changan flowers" frivolous and joy, but hard to understand "fashion goes in cycles" and li yu sad feelings. as of this comparison, we need to grasp today, take the opportunity to learn to carefully protect and intensive care, do not wait in the hands of the "cheese" change acid, worse, having no alternative among others, the owner of another of envy and amazement.
我要向大家推薦一本書《理智與情感》，這本書會讓你愛學到很多東西，關於九年級暑假讀後感英語作文內容詳情如下。
九年級暑假讀後感英語作文：《理智與情感》英語讀後感
sense and sensibility was the first jane austen published. though she initially called it elinor and marianne, austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. the story revolves around the dashwood sisters, elinor and marianne. whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers austen plenty of scope for both satire and compassion. commenting on edward ferrars, a potential suitor for elinor's hand, marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister.
soon however, marianne meets a man who measures up to her ideal: mr. willoughby, a new neighbor. so swept away by passion is marianne that her behavior begins to border on the scandalous. then willoughby abandons her; meanwhile, elinor's growing affection for edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. how each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. though marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is elinor whom austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure.
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上文就是給您帶來的九年級暑假讀後感英語作文，希望可以更好的幫助到您!!
The writer writing unfolds, first is entire French society's one typical window -----small city Varriale's political pattern. The aristocrat is born German Switzerland that mayor is restores the dynasty in here highest representative, the maintenance restoration political power, prevents the bourgeoisie free party member is in power in politics regards as the inherent responsibilities. Poor collection post manager Valno the promise originally is the petty bourgeois, as a result of hires oneself the church secret organization saint can obtain the now the fat difference, thus oneself with restoration political power hitch in same place. Transcription hall Father Maslon is the spy which the church sends, all people's words and deeds all under his surveillance, the time which mutually supports in this king place and the sacrificial altar, is person which wields great power with great arrogance. These three people constitute " Three heads Politic ", reflected the restoration influence the aspect which you the city arrogated all powers to oneself in Varriale.But their opposite, is a large number, has the huge economic potentiality aggressive bourgeoisie free party member. Stendhal describes to the people guarantees king party member's be domineering and tyrannical, on the one hand again let the people draw such conclusion: Grasps has the economic potentiality the bourgeoisie, also will decide in politics is the final victor. 《 The Red and the Black 》 the book in circulation revolutionized in July, 1830 before, takes charge of soup reaches unexpectedly picture is understands clearly historical movement this one inevitably tends to.
miss austen never attempts to describe a scene or a class of society with which she was not herself thoroughly acquainted. the conversations of ladies with ladies, or of ladies and gentlemen together, are given, but no instance occurs of a scene in which men only are present. the uniform quality of her work is one most remarkable point to be observed in it. let a volume be opened at any place: there is the same good english, the same refined style, the same simplicity and truth. there is never any deviation into the unnatural or exaggerated; and how worthy of all love and respect is the finely disciplined genius which rejects the forcible but transient modes of stimulating interest which can so easily be employed when desired, and which knows how to trust to the never-failing principles of human nature! this very trust has sometimes been made an objection to miss austen, and she has been accused of writing dull stories about ordinary people. but her supposed ordinary people are really not such very ordinary people. let anyone who is inclined to criticise on this score endeavor to construct one character from among the ordinary people of his own acquaintance that shall be capable of interesting any reader for ten minutes. it will then be found how great has been the discrimination of miss austen in the selection of her characters, and how skillful is her treatment in the management of them. it is true that the events are for the most part those of daily life, and the feelings are those connected with the usual joys and griefs of familiar existence; but these are the very events and feelings upon which the happiness or misery of most of us depends; and the field which embraces them, to the exclusion of the wonderful, the sentimental, and the historical, is surely large enough, as it certainly admits of the most profitable
cultivation. in the end, too, the novel of daily real life is that of which we are least apt to weary: a round offancy balls would tire the most vigorous admirers of variety in costume, and the return to plain clothes would be hailed with greater delight than their occasional relinquishment ever gives. miss austen's personages are always in plain clothes, but no two suits are alike: all are worn with their appropriate differen as we should expect from such a life, jane austen's view of the world is genial, kindly, and, we repeat, free from anything like cynicism. it is that of a clear-sighted and somewhat satirical onlooker, loving what deserves love, and amusing herself with the foibles, the self-deceptions, the affectations of humanity. refined almost to fastidiousness, she is hard upon vulgarity; not, however, on good-natured vulgarity, such as that of mrs. jennings in "sense and sensibility," but on vulgarity like that of miss steele, in the same novel, combined at once with effrontery and with meanness of soul....
以上小編為大家整理好的範文，希望大家喜歡
範文一
the writer writing unfolds, first is entire french society's one typical window -----small city varriale's political pattern. the aristocrat is born german switzerland that mayor is restores the dynasty in here highest representative, the maintenance restoration political power, prevents the bourgeoisie free party member is in power in politics regards as the inherent responsibilities. poor collection post manager valno the promise originally is the petty bourgeois, as a result of hires oneself the church secret organization saint can obtain the now the fat difference, thus oneself with restoration political power hitch in same place. transcription hall father maslon is the spy which the church sends, all people's words and deeds all under his surveillance, the time which mutually supports in this king place and the sacrificial altar, is person which wields great power with great arrogance. these three people constitute
" three heads politic ", reflected the restoration influence the aspect which you the city arrogated all powers to oneself in varriale.but their opposite, is a large number, has the huge economic potentiality aggressive bourgeoisie free party member. stendhal describes to the people guarantees king party member's be domineering and tyrannical, on the one hand again let the people draw such conclusion: grasps has the economic potentiality the bourgeoisie, also will decide in politics is the final victor. 《 the red and the black 》 the book in circulation revolutionized in july, 1830 before, takes charge of soup reaches unexpectedly picture is understands clearly historical movement this one inevitably tends to.
範文二
" les miserables " (1862) is representative works of victor hugo,as one of the most famous novels in the french literature.
the novel basic plot is ran a rang pitiful life history. he originally is one poor family background worker, because the income insufficient family member gets by, by one time stole the bread is arrested is put in prison. passed 19 years firm prison and the bitter service life. the punishment completely after also has the larceny behavior, but benevolent bishop in the rice the sorrowful influence, the transformation is one shed oneself manner person. he uses an alias is madland, works as the entrepreneur, and is pushed for mayor. but soon and further because exposed the status is arrested is put in prison, after escapes rescues the deceased female worker fantin's daughter cosette match from one bastard hand special, went to paris. afterwards again unceasingly encountered police's pursuit. the ran a rang entire life fills is imprisoned the pain which the bitter service and drifts about destitute, this is the novel main clue.
" les miserables " is the work which one realism and the romanticism unifies, the very many chapters glitter the realism glory, such as , in 1832 paris's street barricade war all wrote is quite real. but the romanticism technique quite was also obvious in the plot arrangement, writes the many extraordinary events. if ran a rang lets lie down is lifted in the coffin the monastery, he rescues from the street barricade marilius, all is strange, molds, environment description, symbolic and contrast technique aspect and so on utilization in the character image, also manifests the romanticism the characteristic.
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